St Anthony's Church_Kalyani12 13

The spectral ruins of Dhanushkodi

By Kalyani Majumdar


Feb - Mar 2024 / Vol 01 , Issue 3

The spectral ruins of Dhanushkodi

....a reminder of nature’s fury

 

 

As the train gently lulled its way over the Pamban Bridge, I looked down at the sea beneath the railway tracks, gently splashing against the rocks. It was a sunny winter’s day in December, a pleasant day, the sea peaceful and the sky a clear blue. Travelling by train from Rameswaram to Madurai was a cacophony of locals, their laughter and conversations sparking a feeling of camaraderie amongst us all. Still, I couldn’t­ help but wonder just how it was that fateful night on 22nd December 1964.

 

It was probably a journey like this one, except that the unsuspecting travellers had no idea there were angry tidal waves as high as 24ft waiting to hit the Pamban-Dhanushkodi passenger train, a force of nature that would sweep it off the bridge and send it plunging into the sea, drowning the 110 passengers, along with their stories. The deadly overnight cyclone turned the once-bustling coastal settlement of Dhanushkodi into a ghost town. Walking on the highway, I tried to imagine the hustle and bustle this town must once have experienced, now buried in the sands of time as many former structures are visible only partially.

 

A few years back, when planning a backpack solo trip through southern India, I was looking for places off the tourist map. While browsing articles online, I chanced upon a piece on the worst cyclones to have hit India. Seeing Dhanushkodi and the Pamban Bridge in that list, I knew I just had to retrace the steps of the last residents of Dhanushkodi.

 

How to get there

You can travel to Dhanushkodi via the road from Rameswaram. While there are state-run buses, you can also take your own transport. It is a one-day visit, but I would still nudge everyone to catch the train and cross the Pamban Bridge.

 

Why Pamban Bridge

Pamban was India’s first sea bridge, which opened on 24th February 1914. It is a railway bridge constructed across the Palk Strait, connecting the island town of Rameswaram to the rest of India. What made this bridge unique was that the concrete piers had a double-leaf bascule section (open-close mechanism) midway, which could be raised to let ships and barges pass through. Until 1988, it was the only surface link connecting the island of Rameswaram to mainland India.

 

Till 1964, this railway line was bifurcated, with one branch line going towards Rameswaram and another terminating at Dhanushkodi.

 

Dhanushkodi, a bustling port town

There was a time when Dhanushkodi was a busy commercial port town vibrating with life. Its proximity to Sri Lanka—it is just 29km west of Talaimannar, in erstwhile Ceylon—made it one of the key points of entry into India. Here, ferries would transport goods and people to and from Sri Lanka. I could imagine passengers getting off at the station and then heading to the other side towards the Palk Strait to board one of the steamer ferry services between Dhanushkodi (whose pier was located on its southeast side) and Talaimannar, which operated every day.

 

There were hotels, textile shops and dharmshalas catering to travellers and pilgrims. In fact, Dhanushkodi was an active pilgrimage site for Hindus, this being the place where, according to the Ramayana, Lord Ram and his team of monkeys built the Ram Setu. In those days, the town had, among other landmarks, a railway station (Pamban-Dhanushkodi), railway hospital, Ganesh temple, higher secondary school, post office, and customs and port offices.

 

So much history, on such a small stretch

As you get off the bus, you can feel the stillness of the place. Standing on the deserted highway, you can see on either side ruins still fighting the elements. It is said that around 1,800 people died in the cyclone that day, but this number could well be an underestimate. The eerie feeling soon dissipates, however, as a bunch of schoolkids stop at a small tea shop to buy biscuits. They were on their way to the primary school—the locals send their kids to a one-storey building that has a painting of the late Dr. APJ Abdul Kalam on the boundary wall, a reminder that the former president hailed from this town. A few small restaurants are offering freshly caught fish, fried, and served with a lemon and some onions on the side, along with chapatti or rice, according to your preference and availability. As you descend the road, you can see behind these eateries' traces of a railway track, the rusted iron and wooden sleepers mostly obscured by sand. Up until 1964, one would take the train from Pamban all the way to the point where I was standing, next to which is a huge water tank, still upright.

 

On the other side of the road, you can see the façade of the Roman Catholic church (St. Anthony’s Church), the Ganesh temple, post office, hospital, customs office, and a building that may once have been a school. 

 

Reaching Palk Strait

Palk Strait is the patch of water between the state of Tamil Nadu and Jaffna district, in the Northern Province of Sri Lanka.

 

As I stood looking out over the strait, on one side was the Indian Ocean and on the other, the Bay of Bengal. The view from this prospect is spectacular. The vastness just hits you differently, and you feel the impermanence of everything you understand as your present reality. Your thoughts drift to the people of Dhanushkodi, who could not have fathomed the fate that was about to befall them and their town, on the morning of 22nd December 1964.

 

I took the bus back from Palk Strait and got off at the ruins. It was evening. I had to say goodbye to the fisherfolks, who shared their stories over a meal and tea, among them the owner of a food stall named after his dad, a swimming champion in 1967 (he very proudly showed the certificate), and the lady who may be one of the few female Hindu priestesses you will meet. When they shared their experiences, their stories became mine.

 

As I took off on the last bus back to Rameswaram, I couldn’t help but remember the poem Ode on a Grecian Urn by John Keats, in which the poet expresses: ‘The images on the urn will continue to inspire and fascinate viewers long after the people and events they depict have passed into oblivion.” In this poem lies an echo of the destiny of Dhanushkodi.

 


 

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